Music Monday: C-G-G-A-G B-C

I’d be impressed if anyone knew what medley those musical notes refer to.

Give up?

Think about how many of us may occasionally knock on a door – five quick taps, then a pause, followed by two taps.

Here’s the tune on an organ:

the guitar:

A parrot:

and Bugs Bunny:

At this point, I am guessing that most of you recognize that little ditty.

But how many of you know that those seven notes have lyrics associated with them?

Well, my wife did, but I did not.

We were watching The West Wing the other day, and one of the characters knocked on someone’s door using this pattern, and the closed caption said: “Shave and a haircut, two bits.”

I had no idea what that meant, I thought the closed captioning had made a mistake.

But then my wife told me those are the words that go with that little ditty.

So of course, I had to go out to Wikipedia, and I picked up a few fun facts about the tune:

  • “Shave and a Haircut” and the associated response “two bits” is a 7-note musical call-and-response couplet, riff or fanfare popularly used at the end of a musical performance, usually for comic effect. It is used both melodically and rhythmically, for example as a door knock. (“Two bits” is an archaism in the United States for 25 cents; a quarter. “Six bits” is occasionally used. The final words may also be “get lost”, “drop dead” (in Australia), or some other facetious expression. In England, it was often said as “five bob” (slang for five shillings), although words are now rarely used to accompany the rhythm or the tune.)
  • An early occurrence of the tune is from an 1899 Charles Hale song, “At a Darktown Cakewalk”. Other songs from the same period also used the tune. The same notes form the bridge in the “Hot Scotch Rag”, written by H. A. Fischler in 1911.
  • Former prisoner of war and U.S. Navy seaman Doug Hegdahl reports fellow U.S. captives in the Vietnam War would authenticate a new prisoner’s U.S. identity by using “Shave and a Haircut” as a shibboleth, tapping the first five notes against a cell wall and waiting for the appropriate response.
  • It is strongly associated with the stringed instruments of bluegrass music, particularly the 5-string banjo. Earl Scruggs often ended a song with this phrase or a variation of it. On the television show The Beverly Hillbillies, musical cues signifying the coming of a commercial break (cues which were in bluegrass style) frequently ended with “Shave and a Haircut”.
  • In Mexico, the melody is highly offensive (I’ll leave it up to those interested to read the details).

So who knew that a simple seven-note medley could have such a fascinating background.

And for those who can’t get enough of this, here is a three-minute video that goes into more detail:

 

32 thoughts on “Music Monday: C-G-G-A-G B-C

  1. Who would have known there was so much going on in those few notes? These are the kind of nuggets that make your blog so interesting, Jim. By the way, how are you healing?

    Liked by 2 people

  2. so funny, for some reason I sang it to my grandies, and it became an earworm that they love to trigger every so often. I gave them my limited background info when they asked what I meant, and I told them two bits meant 25 cents or a quarter, and that’s how much a haircut used to cost, don’t know where I got my info, and I think my dad used to sing it, so I was just winging it.

    Liked by 1 person

  3. This is exactly the kind of in-depth investigative reporting we have come to enjoy on your blog. We are probably only one generation away from this becoming an unknown and unrecognized reference. Thanks for keeping it alive for a while longer! You are the “Andy Rooney” of WordPress!

    Liked by 1 person

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